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rejectamenta

stage 1 : initial rejectamenta
stage 2 : microscope closeups
stage 3 : visual diaries
stage 4 : prints
stage 5 : experimental books
stage 6 : exhibitions / publications
stage 6 : badges

PhD Questionnaire - Rejectamenta

Rejectamenta - “Things thrown away” - Webster’s 1828 Dictionary

Rejectamenta can be any natural or manufactured item so long as it has been discarded. Leaves destined for the trash, old toothbrushes thrown away at home or a bus ticket found on the street.

I am undertaking a PhD in Design at Kingston University, UK. I am also a lecturer in Graphic Design and Bookmaking at De Montfort University Leicester, UK. The aim of my research is to investigate how creative practitioners (like yourself) collect, select, collate, store and use rejectamenta.

Each completed questionnaire will contribute significantly to my PhD research.

The questionnaire has been piloted and will take around 15 minutes to complete.

All responses to this questionnaire are for research purposes only. By completing this questionnaire you are consenting to the use of your data for this purpose. You will remain anonymous and no identifying personal details will be used in any published findings.

When answering the following questions please feel free to add any extra information that you think may be of interest to my research. There is additional space at the end of the questionnaire for you to do so.

Thank you for your time and interest.

General information about you and your use of rejectamenta

1 Are you (please select all that apply)

an artist a designer a crafts person a sculptor
an 'outsider' artist an educator a student

other (please state)

2 Which of the following do you create?

collage assemblage sculpture
prints artists' books mail art
crafts textiles

other (please state)

3 How often do you use rejectamenta in your creative work?

4 What type of rejectamenta do you predominantly use?

natural (eg leaves) or manufactured (eg plastic or paper ephemera)

5 Do you work from

An external space? A space at home?

Other (please describe)

6 How much time, in a typical week, do you generally spend finding and using rejectamenta?

7 What proportion of your income is generated by your creative practice?


if Other

Collection and collation of rejectamenta

8 How often do you collect rejectamenta?

9 Do you predominantly

seek out rejectamenta at external locations (eg the street / skips or dumpsters / junk shops) ?

or

use self-generated / internal rejectamenta (eg junk mail / household or studio waste) ?

10 Which of the following statements describe you?

I have a store of previously collected rejectamenta

or

I specifically seek rejectamenta as and when they are needed

11 Which of the following statements describes your finding of rejectamenta? (Please select all that apply)

I usually visit the same location or follow the same route when looking for rejectamenta

I usually look randomly for rejectamenta

I use a variety of regular locations and routes when looking for rejectamenta

I rely on surprise / accidental finds of rejectamenta

Other people donate rejectamenta to me

other (please describe)

if Other

Optional Comments

12 Which of the following statements best describes the type of rejectamenta you use ?

I use 'free' rejectamenta (found in the trash, on the street, in skips/dumpsters etc)

or

I purchase second-hand rejectamenta (from garage sales, junk shops etc)

Optional Comments

13 Are your found items

sorted after finding?

sorted sporadically?

all jumbled together?

put away until needed?

put on display until needed?

Optional Comments

14 Please describe what goes through your mind at the moment of locating a suitable piece of rejectamenta

15 Please explain how you decide to select rejectamenta

16 Please explain how you decide to reject rejectamenta

External input and outcomes

17 Please identify any public funding that you receive for work using rejectamenta

(Public funding includes grants, bursaries, scholarships, awards etc.)

Public funding received

if Other

18 Please identify how your work is placed in the public domain?

Please select all relevant options and provide details

Publications

Books / digital publications / web sites / exhibitions / reviews

Please give specific details

Other areas of the public domain

Youth or community projects, fund raising, open studio, residencies, exchange projects (round robins) etc.

Please give specific details

My work is not in the public domain

I create my work for my own fulfillment and it is not in the public domain.

Please give specific details

Participation in further research

19 Please select one of the following

20 Your contact and personal details

Your first name | Your surname

|

Your address

Your phone number | Your e-mail

|

Your web address

Your age Your gender

Your own comments

21 Please add any additional comments here including details of anyone you know who may be interested in participating with this research

Thank you very much for your participation. All participants will be kept informed of my findings.


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