Emma is a co-curator of ‘we love your books’, an educator, a book artist and a printmaker. She finds it hard to relax and always has a number of projects on the go! She is hoping that 2018 will be better than 2017… She has exhibited her work throughout the UK and in the USA, Armenia and the UAE. no man’s land This petite two-part book records a very recent period of time – one of great upheaval and change. The two books intersect in different ways – it is the viewer's choice how they interact with each other. The sequence of tree images moves, over time, from darkness through to lightness. The original photographs were taken from November 2016 – March 2017. They record a daily walk that had to change after 21 years. The screen printed book reads – "walk in no man's land / the void in-between two lives / dark trees intersect. The Riso printed book reads – "walk in no man's land / the void in-between two lives / light trees intersect. Media used: Screen prints and Riso prints scanned and presented as digital prints on Bockingford watercolour paper. Based on a series of photographs.

Emma is a co-curator of ‘we love your books’, an educator, a book artist and a printmaker. She finds it hard to relax and always has a number of projects on the go! She is hoping that 2018 will be better than 2017… She has exhibited her work throughout the UK and in the USA, Armenia and the UAE. no man’s land This petite two-part book records a very recent period of time – one of great upheaval and change. The two books intersect in different ways – it is the viewer's choice how they interact with each other. The sequence of tree images moves, over time, from darkness through to lightness. The original photographs were taken from November 2016 – March 2017. They record a daily walk that had to change after 21 years. The screen printed book reads – "walk in no man's land / the void in-between two lives / dark trees intersect. The Riso printed book reads – "walk in no man's land / the void in-between two lives / light trees intersect. Media used: Screen prints and Riso prints scanned and presented as digital prints on Bockingford watercolour paper. Based on a series of photographs.

Emma Powell; I Draw The Line; 2016 (unfinished) UK, www.weloveyourbooks.com www.rejectamenta.com Emma is a co-curator of dot dash 2016 and a founder member of we love your books. She is a book artist, printmaker and lecturer. She loves colour and circles and her books often tackle personal and tricky subjects. Her work can be found online and in a variety of collections. I Draw The Line is a very personal story turned into code. Only Emma and Melanie know the full story. Certain words have been removed and turned into dashes, dots end sentences and asterisk symbols replace swear words. The text is a combination of letterpress, hand writing and digital manipulation. The colour scheme is bleak and the topic is destructive. Emma vows that her work for the 2017 exhibition (intersect) will try to bring some colour back in to her life.

Emma Powell; I Draw The Line; 2016 (unfinished) UK, www.weloveyourbooks.com www.rejectamenta.com Emma is a co-curator of dot dash 2016 and a founder member of we love your books. She is a book artist, printmaker and lecturer. She loves colour and circles and her books often tackle personal and tricky subjects. Her work can be found online and in a variety of collections. I Draw The Line is a very personal story turned into code. Only Emma and Melanie know the full story. Certain words have been removed and turned into dashes, dots end sentences and asterisk symbols replace swear words. The text is a combination of letterpress, hand writing and digital manipulation. The colour scheme is bleak and the topic is destructive. Emma vows that her work for the 2017 exhibition (intersect) will try to bring some colour back in to her life.

Emma is a co-curator of Ebb and Flow 2015 and a founder member of we love your books. She is a book artist, printmaker and lecturer. She loves colour and circles and her books often tackle personal and tricky subjects. Her work can be found online and in a variety of collections. Emma’s book was created using wooden letterpress with digital implementation at the final stage. Her words explore the ebb and flow of emotions around the topics of depression, anxiety and fear. It is a physical attempt to make the positives outweigh the negatives though the use of pattern, colour and cropping.

To make a point: broadcast (2013) Emma is the co-curator of POINT and co-founder of we love your books. She is currently a 0.6 Senior Lecturer in Bookmaking, Paper Arts, Graphic Design and Illustration at DMU, Leicester. Broadcast is a book of secrets hidden within each inside-out page. The viewer can only access snippets of the narrative. The only readable page is the cover. The colours are intentionally jarring to accompany disturbing content. Media used: cheap neon card, hand-printed text from a digital cutter, digital print.

To make a point: broadcast (2013) Emma is the co-curator of POINT and co-founder of we love your books. She is currently a 0.6 Senior Lecturer in Bookmaking, Paper Arts, Graphic Design and Illustration at DMU, Leicester. Broadcast is a book of secrets hidden within each inside-out page. The viewer can only access snippets of the narrative. The only readable page is the cover. The colours are intentionally jarring to accompany disturbing content. Media used: cheap neon card, hand-printed text from a digital cutter, digital print.

To make a point: broadcast (2013) Emma is the co-curator of POINT and co-founder of we love your books. She is currently a 0.6 Senior Lecturer in Bookmaking, Paper Arts, Graphic Design and Illustration at DMU, Leicester. Broadcast is a book of secrets hidden within each inside-out page. The viewer can only access snippets of the narrative. The only readable page is the cover. The colours are intentionally jarring to accompany disturbing content. Media used: cheap neon card, hand-printed text from a digital cutter, digital print.

To make a point: broadcast (2013) Emma is the co-curator of POINT and co-founder of we love your books. She is currently a 0.6 Senior Lecturer in Bookmaking, Paper Arts, Graphic Design and Illustration at DMU, Leicester. Broadcast is a book of secrets hidden within each inside-out page. The viewer can only access snippets of the narrative. The only readable page is the cover. The colours are intentionally jarring to accompany disturbing content. Media used: cheap neon card, hand-printed text from a digital cutter, digital print.

Created for wlyb exhibition – minute (2012) (S)HE/SH(US)H is a tiny book about a large secret. Most of the text is intentionally obscured and the black marks initially dominate the pink. The final part of the structure has broken free and the pink text dominates.

Created for wlyb exhibition – minute (2012) (S)HE/SH(US)H is a tiny book about a large secret. Most of the text is intentionally obscured and the black marks initially dominate the pink. The final part of the structure has broken free and the pink text dominates.

Created for wlyb exhibition – minute (2012) (S)HE/SH(US)H is a tiny book about a large secret. Most of the text is intentionally obscured and the black marks initially dominate the pink. The final part of the structure has broken free and the pink text dominates.

Created for wlyb exhibition – minute (2012) (S)HE/SH(US)H is a tiny book about a large secret. Most of the text is intentionally obscured and the black marks initially dominate the pink. The final part of the structure has broken free and the pink text dominates.

A series of three books created for wlyb exhibition – crop (2011). Each of the books explores the difficulties and pleasures of growing crops and flowers on a rented plot of land on an organic smallholding.

One of a series of three books created for wlyb exhibition – crop (2011). Each of the books explores the difficulties and pleasures of growing crops and flowers on a rented plot of land on an organic smallholding.

One of a series of three books created for wlyb exhibition – crop (2011). Each of the books explores the difficulties and pleasures of growing crops and flowers on a rented plot of land on an organic smallholding.

One of a series of three books created for wlyb exhibition – crop (2011). Each of the books explores the difficulties and pleasures of growing crops and flowers on a rented plot of land on an organic smallholding.

One of a series of three books created for wlyb exhibition – crop (2011). Each of the books explores the difficulties and pleasures of growing crops and flowers on a rented plot of land on an organic smallholding.

One of a series of three books created for wlyb exhibition – crop (2011). Each of the books explores the difficulties and pleasures of growing crops and flowers on a rented plot of land on an organic smallholding.

One of a series of three books created for wlyb exhibition – crop (2011). Each of the books explores the difficulties and pleasures of growing crops and flowers on a rented plot of land on an organic smallholding.

One of a series of three books created for wlyb exhibition – crop (2011). Each of the books explores the difficulties and pleasures of growing crops and flowers on a rented plot of land on an organic smallholding.

For my crop books I experimented with a combination of letterpress and Letraset type. The idea was based on my 2010 year of growing crops on my rented piece of land on an organic farm in Leicestershire. I focused on events from each month – some good and some bad. The cover of the book as also been cropped.

For my crop books I experimented with a combination of letterpress and Letraset type. The idea was based on my 2010 year of growing crops on my rented piece of land on an organic farm in Leicestershire. I focused on events from each month – some good and some bad. The cover of the book as also been cropped.

For my crop books I experimented with a combination of letterpress and Letraset type. The idea was based on my 2010 year of growing crops on my rented piece of land on an organic farm in Leicestershire. I focused on events from each month – some good and some bad.

For my crop books I experimented with a combination of letterpress and Letraset type. The idea was based on my 2010 year of growing crops on my rented piece of land on an organic farm in Leicestershire. I focused on events from each month – some good and some bad.

For my crop books I experimented with a combination of letterpress and Letraset type. The idea was based on my 2010 year of growing crops on my rented piece of land on an organic farm in Leicestershire. I focused on events from each month – some good and some bad.

Created for wlyb exhibition – (e)motive (2010) Myself and Melanie photographed aspects of our (e)motive bookworks to create a joint Magcloud piece. We each worked on the other person's book pages and recreated another book structure. It was really interesting how our work had links despite us working in very different ways.

Created for wlyb exhibition – (e)motive (2010) Myself and Melanie photographed aspects of our (e)motive bookworks to create a joint Magcloud piece. We each worked on the other person's book pages and recreated another book structure. It was really interesting how our work had links despite us working in very different ways.

Created for wlyb exhibition – (e)motive (2010) Myself and Melanie photographed aspects of our (e)motive bookworks to create a joint Magcloud piece. We each worked on the other person's book pages and recreated another book structure. It was really interesting how our work had links despite us working in very different ways.

Created for wlyb exhibition – (e)motive (2010) I created 2 books using Magcloud and these formed the basis of the joint books that myself and Melanie created.

Created for wlyb exhibition – (e)motive (2010) I created 2 books using Magcloud and these formed the basis of the joint books that myself and Melanie created.

Created for wlyb exhibition – (e)motive (2010) I have an emotional response to compost. I love the stuff and I have 11 compost bins in my town garden! I composted piles of identical postcards. When I came to turn the compost heap I found that they had worn away into interesting structures. I left them to dry for a further 6 months and then started photographing them and deciding what to do.

Myself and Melanie photographed aspects of our (e)motive bookworks to create a joint Magcloud piece. We each worked on the other person's book pages and recreated another book structure. It was really interesting how our work had links despite us working in very different ways.

Myself and Melanie photographed aspects of our (e)motive bookworks to create a joint Magcloud piece. We each worked on the other person's book pages and recreated another book structure. It was really interesting how our work had links despite us working in very different ways.

Myself and Melanie photographed aspects of our (e)motive bookworks to create a joint Magcloud piece. We each worked on the other person's book pages and recreated another book structure. It was really interesting how our work had links despite us working in very different ways.

Myself and Melanie photographed aspects of our (e)motive bookworks to create a joint Magcloud piece. We each worked on the other person's book pages and recreated another book structure. It was really interesting how our work had links despite us working in very different ways.

Created for wlyb exhibition – (e)motive (2010) I experimented with letterpress and different pieces of neon substrate and these were then formed into 3 books. Each explored a different aspect – erosion, accretion and obliteration.

Created for wlyb exhibition – (e)motive (2010) I experimented with letterpress and different pieces of neon substrate and these were then formed into 3 books. Each explored a different aspect – erosion, accretion and obliteration.

Created for wlyb exhibition – (e)motive (2010) I experimented with letterpress and different pieces of neon substrate and these were then formed into 3 books. Each explored a different aspect – erosion, accretion and obliteration.

Created for wlyb exhibition – (e)motive (2010) I experimented with letterpress and different pieces of neon substrate and these were then formed into 3 books. Each explored a different aspect – erosion, accretion and obliteration.

Created for wlyb exhibition – (e)motive (2010) I experimented with letterpress and different pieces of neon substrate and these were then formed into 3 books. Each explored a different aspect – erosion, accretion and obliteration.

Created for wlyb exhibition – (e)motive (2010) I have an emotional response to compost. I love the stuff and I have 11 compost bins in my town garden! I composted piles of identical postcards. When I came to turn the compost heap I found that they had worn away into interesting structures. I left them to dry for a further 6 months and then started photographing them and deciding what to do.

Created for wlyb exhibition – (e)motive (2010) I have an emotional response to compost. I love the stuff and I have 11 compost bins in my town garden! I composted piles of identical postcards. When I came to turn the compost heap I found that they had worn away into interesting structures. I left them to dry for a further 6 months and then started photographing them and deciding what to do.

Created for wlyb exhibition – (e)motive (2010) I have an emotional response to compost. I love the stuff and I have 11 compost bins in my town garden! I composted piles of identical postcards. When I came to turn the compost heap I found that they had worn away into interesting structures. I left them to dry for a further 6 months and then started photographing them and deciding what to do.

Created for wlyb exhibition – (e)motive (2010) I have an emotional response to compost. I love the stuff and I have 11 compost bins in my town garden! I composted piles of identical postcards. When I came to turn the compost heap I found that they had worn away into interesting structures. I left them to dry for a further 6 months and then started photographing them and deciding what to do.

Created for wlyb exhibition – (e)motive (2010) I have an emotional response to compost. I love the stuff and I have 11 compost bins in my town garden! I composted piles of identical postcards. When I came to turn the compost heap I found that they had worn away into interesting structures. I left them to dry for a further 6 months and then started photographing them and deciding what to do.

Created for wlyb exhibition – (e)motive (2010) I experimented with letterpress and different pieces of neon substrate and these were then formed into 3 books. Each explored a different aspect – erosion, accretion and obliteration.

Created for wlyb exhibition – (e)motive (2010) I experimented with letterpress and different pieces of neon substrate and these were then formed into 3 books. Each explored a different aspect – erosion, accretion and obliteration.

Created for wlyb exhibition – (e)motive (2010) I experimented with letterpress and different pieces of neon substrate and these were then formed into 3 books. Each explored a different aspect – erosion, accretion and obliteration.

Created for wlyb exhibition – (e)motive (2010) I experimented with letterpress and different pieces of neon substrate and these were then formed into 3 books. Each explored a different aspect – erosion, accretion and obliteration.

Created for wlyb exhibition – (e)motive (2010) I have an emotional response to compost. I love the stuff and I have 11 compost bins in my town garden! I composted piles of identical postcards. When I came to turn the compost heap I found that they had worn away into interesting structures. I left them to dry for a further 6 months and then started photographing them and deciding what to do.

Created for wlyb exhibition – (e)motive (2010) I have an emotional response to compost. I love the stuff and I have 11 compost bins in my town garden! I composted piles of identical postcards. When I came to turn the compost heap I found that they had worn away into interesting structures. I left them to dry for a further 6 months and then started photographing them and deciding what to do.

Created for wlyb exhibition – (e)motive (2010) I have an emotional response to compost. I love the stuff and I have 11 compost bins in my town garden! I composted piles of identical postcards. When I came to turn the compost heap I found that they had worn away into interesting structures. I left them to dry for a further 6 months and then started photographing them and deciding what to do..

Created for wlyb exhibition – (e)motive (2010) These pieces of work are based on a piece of billboard I was given to do something with. I peeled it back and discovered loads of really lovely patterns and colours. I then cut these into circular pieces, layered them and mounted them together. I then added Letraset type based on emotive words.

Created for wlyb exhibition – (e)motive (2010) These pieces of work are based on a piece of billboard I was given to do something with. I peeled it back and discovered loads of really lovely patterns and colours. I then cut these into circular pieces, layered them and mounted them together. I then added Letraset type based on emotive words.

Created for wlyb exhibition – (e)motive (2010) These pieces of work are based on a piece of billboard I was given to do something with. I peeled it back and discovered loads of really lovely patterns and colours. I then cut these into circular pieces, layered them and mounted them together. I then added Letraset type based on emotive words.

Created for wlyb exhibition – (e)motive (2010) These pieces of work are based on a piece of billboard I was given to do something with. I peeled it back and discovered loads of really lovely patterns and colours. I then cut these into circular pieces, layered them and mounted them together. I then added Letraset type based on emotive words.

Created for wlyb exhibition – (e)motive (2010) These pieces of work are based on a piece of billboard I was given to do something with. I peeled it back and discovered loads of really lovely patterns and colours. I then cut these into circular pieces, layered them and mounted them together. I then added Letraset type based on emotive words.

Created for wlyb exhibition – (e)motive (2010) These pieces of work are based on a piece of billboard I was given to do something with. I peeled it back and discovered loads of really lovely patterns and colours. I then cut these into circular pieces, layered them and mounted them together. I then added Letraset type based on emotive words.

Created for wlyb exhibition – closure (2009) This book, produced using Blurb, documents the process of making the circular closure book.

Created for wlyb exhibition – closure (2009) I finished my Phd and got closure by shredding it! Each chapter is layered in the jar starting with the introduction at the base. There are subtle visual changes as each chapter has a different ratio of type to image.

Created for wlyb exhibition – closure (2009) I finished my Phd and got closure by shredding it! Each chapter is layered in the jar starting with the introduction at the base. There are subtle visual changes as each chapter has a different ratio of type to image.

Created for wlyb exhibition – closure (2009) I finished my Phd and got closure by shredding it! Each chapter is layered in the jar starting with the introduction at the base. There are subtle visual changes as each chapter has a different ratio of type to image.

Created for wlyb exhibition – closure (2009) I finished my Phd and got closure by shredding it! Each chapter is layered in the jar starting with the introduction at the base. There are subtle visual changes as each chapter has a different ratio of type to image.

Created for wlyb exhibition – closure (2009) The base structure of this bookwork is folded pages from a test print-out of my PhD. The pages are interspersed with recycled papers. These contain words relating to closure and are printed using an Adana letterpress machine and various old fonts. The closure of the 2 rubber bands also acts as a device to keep the book open in its circular shape.

Created for wlyb exhibition – closure (2009) The base structure of this bookwork is folded pages from a test print-out of my PhD. The pages are interspersed with recycled papers. These contain words relating to closure and are printed using an Adana letterpress machine and various old fonts. The closure of the 2 rubber bands also acts as a device to keep the book open in its circular shape.

Created for wlyb exhibition – closure (2009) The base structure of this bookwork is folded pages from a test print-out of my PhD. The pages are interspersed with recycled papers. These contain words relating to closure and are printed using an Adana letterpress machine and various old fonts. The closure of the 2 rubber bands also acts as a device to keep the book open in its circular shape.

Created for wlyb exhibition – closure (2009) This is part of the final visual piece for my PhD. There were 5 sections each exploring a different aspect of my visual research. All 5 sections are contained in slip cases made from recycled paper and photocopy cards.

Created for wlyb exhibition – re: (2008) These re:use books were created to contain found ephemera. They formed the basis of one of my final PhD pieces.

Created for wlyb exhibition – re: (2008) A chance find of hundreds of defunct photocopy cards in a University skip led to the creation of 2 circular structures. The colours and patterns are created from the initial printing of the photocopy cards that had extended onto the edges. En masse these tiny bits of print make a distinctive pattern.

Created for wlyb exhibition – re: (2008) A chance find of hundreds of defunct photocopy cards in a University skip led to the creation of 2 circular structures. The colours and patterns are created from the initial printing of the photocopy cards that had extended onto the edges. En masse these tiny bits of print make a distinctive pattern.

Created for wlyb exhibition – re: (2008) A chance find of hundreds of defunct photocopy cards in a University skip led to the creation of 2 circular structures. The colours and patterns are created from the initial printing of the photocopy cards that had extended onto the edges. En masse these tiny bits of print make a distinctive pattern.

Created for wlyb exhibition – re: (2008) A chance find of hundreds of defunct photocopy cards in a University skip led to the creation of 2 circular structures. The colours and patterns are created from the initial printing of the photocopy cards that had extended onto the edges. En masse these tiny bits of print make a distinctive pattern.

Created for wlyb exhibition – closure (2009) This is part of the final visual piece for my PhD. There were 5 sections each exploring a different aspect of my visual research. All 5 sections are contained in slip cases made from recycled paper and photocopy cards.

These re:use books were created to contain found ephemera. They formed the basis of one of my final PhD pieces.

Created for wlyb exhibition – ABC (2007) These cubes are a complete alphabet created in collaboration between myself, Melanie Bush and Louise Bird.

Created for wlyb exhibition – ABC (2007)

Created for wlyb exhibition – ABC (2007)

Created for wlyb exhibition – ABC (2007)

Created for wlyb exhibition – ABC (2007)

Created for wlyb exhibition – ABC (2007) These 4 small circular, folded books were created using the cyanotype process. Found objects/ephemera were photocopied and then this artwork was placed on the coated paper in the sun and exposed. The books are held in a circular wooden box that once contained vegan chocolates!

Created for wlyb exhibition – ABC (2007) These 4 small circular, folded books were created using the cyanotype process. Found objects/ephemera were photocopied and then this artwork was placed on the coated paper in the sun and exposed. The books are held in a circular wooden box that once contained vegan chocolates!

Created for wlyb exhibition – Full Circle (2006) This circular book is made from some Chinese money envelopes. In some of these old slide mounts are inserted that contain bits of barcodes.

Created for wlyb exhibition – Full Circle (2006) These circles were created from close-ups of screenprinted details which were, in turn, created from microscope details.

Created for wlyb exhibition – Full Circle (2006) These circles were created from close-ups of screenprinted details which were, in turn, created from microscope details.

Created for wlyb exhibition – Full Circle (2006) These circles were created from close-ups of screenprinted details which were, in turn, created from microscope details.

Created for wlyb exhibition – Meeting in the Middle (2005) This book was losely based on the game rock/paper/scissors. The paper in the centre compartment is wrapping a stone that was found on a walk. Different stones that were also collected on the walk were recorded in the 2 small booklets.

Created for wlyb exhibition – Meeting in the Middle (2005) This book was losely based on the game rock/paper/scissors. The paper in the centre compartment is wrapping a stone that was found on a walk. Different stones that were also collected on the walk were recorded in the 2 small booklets.

Created for wlyb exhibition – Meeting in the Middle (2005) This book was losely based on the game rock/paper/scissors. The paper in the centre compartment is wrapping a stone that was found on a walk. Different stones that were also collected on the walk were recorded in the 2 small booklets.

Created for wlyb exhibition – Full Circle (2006) This circular book is made from some off-cuts generated by a screenprinting project I was doing for my PhD.

rejectamenta.com/wlyb then:now 2018 unique edition Artist Statement Emma is a book artist, printmaker and lecturer. She has work in various collections and articles and has exhibited internationally. Emma is the co-curator of we love your books. Her work generally tackles difficult subject matter but this is often hidden within imagery, colour or book structures. She is recently enjoying working from a studio at Leicester Print Workshop in the UK. Book Description then:now takes close ups from offset prints from imagery created in response to last year’s theme of intersect and combines these with pairs of offset words. A smaller book is inserted within the larger book to add an additional element of offset. The smaller book structure is cut up and folded in such a way as to offset the imagery even more. Media Used Digital prints on Bockingford paper based on original screenprinted imagery

rejectamenta.com/wlyb then:now 2018 unique edition Artist Statement Emma is a book artist, printmaker and lecturer. She has work in various collections and articles and has exhibited internationally. Emma is the co-curator of we love your books. Her work generally tackles difficult subject matter but this is often hidden within imagery, colour or book structures. She is recently enjoying working from a studio at Leicester Print Workshop in the UK. Book Description then:now takes close ups from offset prints from imagery created in response to last year’s theme of intersect and combines these with pairs of offset words. A smaller book is inserted within the larger book to add an additional element of offset. The smaller book structure is cut up and folded in such a way as to offset the imagery even more. Media Used Digital prints on Bockingford paper based on original screenprinted imagery

rejectamenta.com/wlyb then:now 2018 unique edition Artist Statement Emma is a book artist, printmaker and lecturer. She has work in various collections and articles and has exhibited internationally. Emma is the co-curator of we love your books. Her work generally tackles difficult subject matter but this is often hidden within imagery, colour or book structures. She is recently enjoying working from a studio at Leicester Print Workshop in the UK. Book Description then:now takes close ups from offset prints from imagery created in response to last year’s theme of intersect and combines these with pairs of offset words. A smaller book is inserted within the larger book to add an additional element of offset. The smaller book structure is cut up and folded in such a way as to offset the imagery even more. Media Used Digital prints on Bockingford paper based on original screenprinted imagery

rejectamenta.com/wlyb then:now 2018 unique edition Artist Statement Emma is a book artist, printmaker and lecturer. She has work in various collections and articles and has exhibited internationally. Emma is the co-curator of we love your books. Her work generally tackles difficult subject matter but this is often hidden within imagery, colour or book structures. She is recently enjoying working from a studio at Leicester Print Workshop in the UK. Book Description then:now takes close ups from offset prints from imagery created in response to last year’s theme of intersect and combines these with pairs of offset words. A smaller book is inserted within the larger book to add an additional element of offset. The smaller book structure is cut up and folded in such a way as to offset the imagery even more. Media Used Digital prints on Bockingford paper based on original screenprinted imagery

rejectamenta.com/wlyb then:now 2018 unique edition Artist Statement Emma is a book artist, printmaker and lecturer. She has work in various collections and articles and has exhibited internationally. Emma is the co-curator of we love your books. Her work generally tackles difficult subject matter but this is often hidden within imagery, colour or book structures. She is recently enjoying working from a studio at Leicester Print Workshop in the UK. Book Description then:now takes close ups from offset prints from imagery created in response to last year’s theme of intersect and combines these with pairs of offset words. A smaller book is inserted within the larger book to add an additional element of offset. The smaller book structure is cut up and folded in such a way as to offset the imagery even more. Media Used Digital prints on Bockingford paper based on original screenprinted imagery